POETRY WRITING SESSION USING QUILTS
Begin with "Ars Poetica" by Archibald McLeish. Explain that McLeish
does what a quilter does - takes individual pieces and "sews" them
together around a theme. Then he dresses them up with verbal
"pictures", color, figures of speech, etc. Finally, he adds borders:
"A poem should be". "A poem should not mean . . . but be".
Have each participant go through each of these steps. Give plenty of time,
but keep the group together. Give examples if anyone is "blocked".
- QUILT BLOCKS -- Begin with 10 to 12 pieces of memory, or pieces of
treasured things, or pieces of a season like spring. No sentences - just
simple noun phrases or verbal phrases
- APPLIQUE - Change non-specific nouns and verbs to specific nouns
and verbs. "Bluebird: vs. "bird"; "sauntered" vs.
"walked". Compare this to the quilter who adds appliqué to make
things stand out and be "specific".
- EMBROIDERY - Add adjectives, adverbs, colorful words.
- HAND-STITCHING - Add figures of speech like similes metaphors, and
personification. Work towards appealing to the five senses, just as quilts
look bright, smell good, feel warm, rustle, etc.
- BORDERS - Add a simple beginning Add a thoughtful ending. Go back
and make sure your poem is "tied" together by words that create
movement from one thought to another just as McLeish does. Use repetition if
that helps, since repetition of pattern or even of identical pieces is a
quilter's technique.
Share if desired. ENJOY!!